"Kong" by The Notwist from Close to the Glass
An Afghan National Police officer mans a checkpoint in the outskirts of Maidan Shahr, Wardak province, Afghanistan. Anja Niedringhaus. Associated Press.
A bird ballet
Owen Pallett - The Riverbed
"Although many harsh words are said about the childlike response of the public to the coming emergency, the response doesn’t seem to me very surprising, either. It’s hard to keep apocalypse consistently in mind, especially if you want to get out of bed in the morning. What’s missing from the account is how much of our reaction is emotional. If it weren’t, the whole landscape of debate would be different. We can easily imagine, for example, a world in which the deniers were not deniers at all, but simple ruthless pragmatists, the kind of people who say: “I understand very well what’s coming, but I am not concerned with my grandchildren; I am concerned with myself, my shareholders, and the Chinese competition.” And there are indeed a few who say this, but not as many as it might be reasonable to expect. …
This will no doubt look very peculiar to my seven-year-old granddaughter. I don’t expect she will forgive me, but it might be useful for her to get a glimpse into the mindset, if only for the purposes of comprehension. What shall I tell her? Her teachers will already have explained that what was happening to the weather, in 2014, was an inconvenient truth, financially, politically—but that’s perfectly obvious, even now. A global movement of the people might have forced it onto the political agenda, no matter the cost. What she will want to know is why this movement took so long to materialize. So I might say to her, look: the thing you have to appreciate is that we’d just been through a century of relativism and deconstruction, in which we were informed that most of our fondest-held principles were either uncertain or simple wishful thinking, and in many areas of our lives we had already been asked to accept that nothing is essential and everything changes—and this had taken the fight out of us somewhat.”
"The Water Is Wide" by Pete Seeger from Pete
"All Eyes on You" by St. Lucia from When the Night
"Immunity" by Jon Hopkins from Immunity
"Los Angeles." Gary Winogrand. The Awl.